What Are The Dimensions Of The Painting "Portrait Of Henry Viii
| Portrait of Henry VIII | |
|---|---|
 | |
| Creative person | Hans Holbein the Younger |
| Yr | 1536 or 1537 |
| Medium | Oil on canvas |
| Location | Walker Art Gallery, Liverpool |
Copy in oils of the Whitehall landscape, commissioned by Charles II, 1667
Portrait of Henry VIII is a lost work by Hans Holbein the Younger depicting Henry VIII. It was destroyed past fire in 1698, only is still well known through many copies. It is one of the virtually iconic images of Henry and is one of the most famous portraits of whatever English or British monarch. It was created in 1536–1537 as part of a landscape showing the Tudor dynasty at the Palace of Whitehall, Westminster.
Description [edit]
Hans Holbein the Younger, originally from Germany, had been appointed the English Rex's Painter in 1536. The portrait was created to adorn the privy chamber of Henry's newly acquired Palace of Whitehall. Henry was spending vast sums to decorate the 23-acre (93,000 mtwo) warren of residences he had seized afterwards the downfall of Cardinal Wolsey. The original mural featured 4 figures arranged around a marble plinth: Henry, his wife Jane Seymour, and his parents, Henry Seven and Elizabeth of York. The landscape was thus commissioned erstwhile during the brief marriage of Henry and Jane Seymour, and was completed in 1537. Information technology may well have been deputed to gloat the coming or bodily nativity of Henry'due south long-awaited heir, Edward, born in October 1537.[i] It is not articulate where in the palace the mural was located, but it may have been in the king's Privy Chamber or report, where only a very select few would take seen information technology.[ii]
Henry is posed without whatsoever of the standard purple accoutrements such equally a sword, crown, or sceptre. This was common in progressive royal portraiture of the catamenia, for example the portraits by Titian of the Habsburg family unit and other royalty, and also French and German imperial portraits. Only Holbein'south success in conveying royal majesty without such specific props is exceptional. The regal presence is conveyed through Henry's aggressive posture, standing proudly cock, directly facing the viewer. His legs are spread apart and arms held from his side in the pose of a warrior or a wrestler. In one hand he holds a glove, while the other reaches towards an ornate dagger hanging at his waist. Henry'due south clothes and surroundings are ornate, with the original painting using gold leaf to highlight the opulence. The detailed blackwork embroidery is especially notable. He wears an array of jewellery including several large rings and a pair of necklaces. His large codpiece and heavily padded shoulders further enhance the ambitious masculinity of the prototype.[ citation needed ]
The portrait has been called a work of propaganda, designed to enhance Henry's majesty. It deliberately skews his effigy to make him more imposing. Comparisons of surviving sets of Henry's armour evidence that his legs were much shorter in reality than in the painting. The painting likewise shows Henry as young and full of health, when in truth he was in his forties and had been badly injured before in the year in a tiltyard accident. He was as well already suffering from the wellness issues that would bear on the latter part of his life.[3]
Henry recognized the power of the image Holbein created, and encouraged other artists to copy the painting and distributed the various versions around the realm, giving them as gifts to friends and ambassadors. Major nobles would commission their own copies of the painting to show their loyalty to Henry. The many copies made of the portrait explain why it has get such an iconic image, even afterward the destruction of the original when Whitehall Palace was consumed past fire in 1698. It has had a lasting consequence on Henry's public image. For case Charles Laughton'southward Oscar-winning functioning in The Private Life of Henry Eight was modelled after the swaggering Henry depicted past Holbein.[four]
Surviving images [edit]
A full-size cartoon done by Holbein in preparation for the portrait group survives in the collection of the National Portrait Gallery, showing but the left-hand tertiary of the group, with the two Henries. This was used to make an outline of the design on the wall, by pricking holes along the primary lines and pushing powdered soot through.[5] The drawing differs slightly from the final version. Most notably it shows Henry standing in a more traditional 3-quarters view rather than the final and iconic head-on position.
Too surviving is a much smaller one-half-length portrait of Henry past Holbein that is today in the drove of the Thyssen-Bornemisza Museum in Madrid. This, the merely surviving painting of Henry from Holbein'south mitt, may too have been a preparatory report. In it Henry wears much the same clothing as the final mural, simply is still posed in a three-quarters view. For many years this painting was owned by the Spencer family and housed at Althorp. Financial problems forced the 7th Earl Spencer to sell much of the art collection, and information technology was purchased by Heinrich Thyssen.
All the remaining copies of the painting are today attributed to other artists, though in most cases the proper noun of the copyist is unknown. They vary dramatically in their quality and faithfulness to the original source. Well-nigh of the reproductions only copy the image of Henry, though a copy by Remigius van Leemput of the entire mural is in the Purple Drove, usually on display at Hampton Court Palace. This was made in 1667 for Charles 2.[vi] The highest quality, and best known, copy is that currently in the collection of the Walker Art Gallery (illustration), which may have been deputed by Edward Seymour, Jane'southward blood brother.[7]
| Location | Date | Notes | Image |
|---|---|---|---|
| Art Gallery of Ontario | 2d half 16th century | Circle of Hans Holbein the Younger |  |
| Belvoir Castle |  | ||
| Formerly Castle Howard | 1542 |  | |
| Chatsworth House | c. 1560–73 | by Hans Eworth, likely commissioned by William Cavendish |  |
| Hampton Courtroom Palace | 1667 | Remigius van Leemput, only surviving depiction of the full mural |  |
| Holyroodhouse | |||
| National Maritime Museum |  | ||
| National Gallery of Ancient Fine art, Rome |  | ||
| National Museum in Warsaw | 1540s | Workshop of Hans Holbein the Younger |  |
| National Portrait Gallery | Preparatory cartoon done by Holbein |  | |
| National Portrait Gallery |  | ||
| National Portrait Gallery |  | ||
| National Portrait Gallery |  | ||
| National Portrait Gallery |  | ||
| New College, Oxford | |||
| Parham Firm |  | ||
| Petworth House | Dendrochronology puts the boards at some time after 1525 | Created by Holbein'south studio |  |
| Royal Higher of Physicians | |||
| St Bartholomew'south Hospital | Donated in 1737 | ||
| Thyssen-Bornemisza Museum | c. 1534–1536 | Preparatory portrait washed past Holbein |  |
| Trinity College, Cambridge | c. 1567 | Past Hans Eworth, oil on 5 oak planks, 229.6 ten 124.1cm on display in Trinity College'due south Hall. Information technology was commissioned and ancestral in 1567 by Robert Beaumont, 1 of the first Masters of the college.[eight] Briefly displayed at the Fitzwilliam Museum in Cambridge, UK in 2015[9] |  |
| Walker Art Gallery | Dendrochronology puts the boards at some time after 1530 |  | |
| Unknown location (sold Christie's November 2006) | Tree-ring dating puts the panels equally from a tree felled between 1540 and 1560 |  | |
| Weiss Gallery, London | c. 1600–10 | Painted for Sir Henry Lee, and at Ditchley Park until sold in the manor sale of his descendant Harold Arthur Lee-Dillon, 17th Viscount Dillon (1844–1932), 24 May 1933. With the Weiss Gallery as of 2012.[10] |  |
| Windsor Castle, Majestic Drove | 1535–44 |  | |
| Windsor Castle, Royal Collection | c. 1538–47? |  | |
| Windsor Castle, Majestic Collection | 1550–1650 |  | |
| Windsor Castle, Regal Drove | 1550–99 |  |
[11]
See too [edit]
- List of paintings by Hans Holbein the Younger
- Cultural depictions of Henry VIII of England
References [edit]
- ^ "King Henry Eight; King Henry VII", NPG
- ^ "Male monarch Henry VIII; King Henry VII", NPG
- ^ Derek Wilson "Was Hans Holbein'due south Henry 8 the best piece of propaganda ever?" The Telegraph 23 April 2009
- ^ Holbein's legacy Archived 2009-09-03 at the Wayback Auto
- ^ "Rex Henry Viii; King Henry VII", NPG
- ^ "Viii Revealed." Walker Fine art Gallery, Liverpool
- ^ Walker Art Gallery'due south Henry Archived 2009-04-12 at the Wayback Machine
- ^ Luminarium. "Portraits of Henry Eight: The Whitehall Mural". Retrieved xviii April 2018.
- ^ Fitzwilliam Museum. "King Henry Eight on display in August". Retrieved xviii April 2018.
- ^ Weiss Gallery (2012). "Tudor and Stuart Portraits From The Collections of the English language Dignity and their Neat Country Houses". pp. xiv–16. Retrieved 25 March 2012. [ permanent dead link ]
- ^ Portraits of King Henry VIII: Hans Holbein and His Legacy.
Source: https://en.wikipedia.org/wiki/Portrait_of_Henry_VIII
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